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【DTM動作検証】Mac M1チップモデルでのDAW・プラグイン対応状況まとめ（随時更新）
In , Apple unveiled the latest iteration of its professional recording software, Logic Pro X. Who is it for? What are the best ways to use it? And what are the pros and cons? Although all DAWs share some common principles, i.
Pro Tools is arguably the most commonly used DAW in professional recording studios. Cubase, on the other hand, is more geared towards PC music production and is predominantly used in schools and home studios. This should is evidence enough to show that the software has scope to produce truly professional, creative results quickly!
The beginner software typically comes installed as standard in all Macs and includes GarageBand. Is Logic Pro X for dummies? Having said this, users have the option of getting the pro software if they want it! Downloadable via the App Store, anyone from more advanced beginners looking to move beyond GarageBand, to professional studio producers can make use of Logic Pro X.
Logic Pro X includes a massive collection of stock plug-ins and plenty of tools for professional songwriting! Unfortunately, for Windows users, Logic Pro X is not an option. If you search long enough, you can probably find a way around this issue. Yet in all honesty, the main reason for using Apple Mac OS is the seamless integration with the hardware.
When one company is in charge of making both the machine and the software, the result is a smooth and efficient process something of a prerequisite when you are trying to be creative! Like all things computers, this largely depends on your use-case. The kitchen is a good metaphor for understanding how these fit together…. This is where stuff on your computer software, files, everything lives permanently.
Audio files are quite big so high RAM capacity is essential if you plan on working on audio projects with lots of large files. The sharper the knife the better the processor the quicker it can chop the ingredients. So, for audio work and to deliver more power, a good amount of RAM is helpful as it allows you to work with more files 8GB is good, 16GB is better, but the more RAM you have the bigger you can go with your projects.
The better your processor, the more flexibility you have on the software and plug-Ins you may want to use, especially if you are layering multiple effects. If you want to store projects on your hard drive, a large capacity will be useful but you can always archive these onto external hard drives. So this is perhaps a little less important overall. For really large-scale, high-performance projects, a Mac Pro with a high-quality Thunderbolt Interface would be best.
Thunderbolt allows for a much faster data transfer than USB 3, meaning you can edit imported audio with ease, and use lots of plugins without overloading your CPU. Personally, my recording process tends to be relatively simple. I have a high spec iMac with a Focusrite Scarlett 18i20 interface running audio and midi.
The MacBook Pro is certainly capable of producing professional music. It is substantially equipped for recording, songwriting, editing and mixing, and mastering processes! However, I personally prefer to use the iMac as my main workhorse, due to its larger screen.
This is a hugely significant change, not only because the old CDs had to be ordered or purchased from an Apple Store and manually installed a much slower procedure , but because the App Store allows customers to easily and remotely update apps across multiple devices. Logic Pro X updates frequently include new loops, plug-ins, features and performance improvements. And the cost of these updates is… nothing. Zilch, zip, diddly squat! The slick modern aesthetic of Logic Pro X is a far cry from its predecessors.
Featuring a single customizable window view if you have multiple screens, you can also have separate windows for the Mixer, Audio Editor, etc. Navigation is efficient and satisfying, and fairly reminiscent of Final Cut Pro.
Included in the new software was also a completely rebuilt sound and loop library for creators to flesh out their recordings with breakbeats, samples, riffs and more. The Drummer tool is really interesting.
It is essentially a modern automatic drum machine, which allows you to select the style, number of fills, the amount of swing and beat complexity to create what feels like a real drummer.
The Smart Tempo feature enables the drummer track to automatically pick up the tempo of another track and play along in time! Songwriters can use this tool to flesh out their demos. This is useful as a temporary solution before the real drums are added. In terms of the MIDI sound library, Logic Pro X has an enormous array of keyboards and synths and more patches than you could use in a lifetime!
I think the most exciting feature is the Logic Remote app, free for iPad and iPhone. The app connects your iOS device to your computer and allows you to control the software. You can pause, stop and record, obviously. But you can also edit effects and panning, so this is an amazing tool if you like a fader-style mixing approach without actually having the faders, of course. This can also save you a lot of time if you are recording a live instrument, but are too far from your Mac to control it!
The app can also be used to manually tap the project tempo, or play in keyboard and drum instruments. A key concept to understand with Logic Pro X and how it compares to Pro Tools is the approach to plugins.
Pro Tools is arguably the most used DAW in the world. It is a very good piece of software and comes with a number of great plugins. Despite this, in my experience of recording in other studios, a real part of working with Pro Tools is choosing specific 3rd party plugins to really define the kinds of sounds that come out of your studio. And because Pro Tools is the number one DAW in the world, most 3rd party plugins are designed primarily to work with it.
The Plug-ins are pretty comprehensive and following the Logic Pro X This means they are very detailed, powerful and sound incredible. And of course, in classic Apple style, they look great and are super easy to use! In particular, the ChromaVerb reverb allows you to choose your room, set your parameters on decay and even choose how your reverb responds over the frequency spectrum, but also has tons of presets if you need a framework to get you started.
The quality of plug-ins, however, can vary quite a lot. Both of these sound great and are hugely versatile but I have found the Waves plug-ins to be a little less stable than the Vox. Additionally, the visual representation on the Waves is a little less pretty; it feels very much as though perhaps writing the software for Logic Pro X was an afterthought to coding for Pro-Tools.
So my advice would be to get suggestions from other producers or read up on the reviews if you are looking to delve outside of the stock Logic Pro X plugins. Sometimes, a musician in the studio may want to have a few runs at different elements of a song to get the perfect take for each section. In a lot of DAWs, this means recording multiple takes over multiple tracks.
With Logic Pro X, however, you can create multiple versions within one track and choose the best bits. From here you can crossfade together the perfect take all on one track with one set of plugins and one clean track, which makes mixing significantly easier!
As with most recording software, you often rely on using buses to process effects to minimize CPU drain on the machine, to ensure everything runs quickly and smoothly.
Applying the same reverb effect to every single guitar, bass and drum track on a song is tedious! A nice touch in Logic Pro X is that when you choose to send a track to a Bus, the Auxiliary channel is automatically created in the Mix window.
This allows you to add any effects you want to it, and name it without having to first create the Bus channel. Then you can assign it and add the effects. I tend to add some effects to the individual tracks — usually EQ and often compression and other specific effects. If you are using MIDI instruments, I would recommend going into the details if you want it to sound as real as possible.
Take some time to adjust the velocity and playing style of each note. This nifty feature allows you to change note velocity and slightly shift the timing. This can make all of the difference with a drum beat or melodic pattern, making it sound less robotic.
If you have a passion for unique and vintage instruments like me, this often crosses over and becomes an obsession! This can involve spending a bit of time traveling around to record specific instruments I recently had the opportunity to record a s T Hammond organ that my dad had stowed away in his garage.
Logic provides an amazing solution for situations like this. I was able to simply share the Logic Pro X Project file to my laptop via AirDrop and record the instrument on location! One piece of advice I would offer here would be to share the whole project back to your main working Mac, once you have your new piece of audio in your project. Bear in mind, this can sometimes lead to the machine getting confused and unable to locate it.
The best thing to do is solo the track and bounce the raw file of the recorded audio. You can then drop that into the existing project on your main computer. Generally, most producers record all the audio necessary for a project before they begin adding huge amounts of audio processing. As an artist that self-produces, I often fall into the trap of building up the sonics of a track during the recording process. Fortunately, the creators of Logic Pro X have got this covered!
This effectively by-passes the plugins during recording to stop latency without you having to manually turn each plugin off.
Logic can also be installed on all the machines you own, and the Logic Remote is free. Make sure to leave the software open well in advance of the session! The reason for this is as follows.
When you first open Logic Pro X after purchasing it, you must first download all the necessary sound assets. This will take up a big chunk of your storage! My tip would be to never head straight into a session after downloading Logic Pro X to a new machine. Make sure you update the software first.
– MONTAGE Connect V for Mac OS X – Yamaha – Music – Australia
Your DAW is the most fundamentally important piece of software you will own as a composer and producer, because without it, all of your other software tools are rendered useless. Let me just say before we start that these are all quality products, and my opinions about what makes a DAW great are likely to be different from yours.
So here we go. The interface in this latest version has a very clean and modern look. The product comes with a very impressive and comprehensive selection of MIDI instruments. Some of these are more convincing than others, but the diverse selection is definitely a great kick-starter to your library.
It would have been cool if the developers had given the stock plugins the same interface revamp that the EQ benefitted from in the upgrade from 9 to It would also be helpful if users could search through their third-party MIDI libraries via the Libraries tab. But these are minor niggles in a fantastically diverse and competent DAW that comes at an incredible price. On my first use of Pro Tools, it took me half an hour to work out how to access the automation section.
I also found it a ridiculously complicated process to configure the metronome, whereas in other DAWs you can just click a button. Overall, Pro Tools is an industry staple and worth mastering even just for working with certain clients, but be prepared for a steep learning curve. One of the key advantages of Cubase is that it offers three different versions of the software to suit your needs.
Out the box, MIDI is fairly decent, but by no means complete, and the FX processing is respectable depending on which version you buy.
The final result is a reliable all-rounder that is neither especially innovative nor lacking in any area. Ableton is the most niche product on this list. Its speciality, as the name suggests, is live processing and performance.
In this area, it completely blows the competition out of the water. Triggering live samples and processing them in predetermined or live ways is a joy in this software due to its completely different interface. You can pick between session view and arrangement view depending on what your current needs are.
The price is also reasonable and, like Cubase, there are different versions on offer. If possible, get your hands on all the different DAWs and have a go before buying. This is easy enough for products that offer a free trial, such as Ableton. Alternatively, ask around with your friends to see if they have a version you can experiment with. However, this is an extremely personal choice, and what is right for me may not be right for you.
The important thing is to just pick one and master it. James Ede is the founder of Be Heard , a company that specializes in the creation of music and sound for mobile games. He has formed a diverse team of musicians from all walks of life, and together they enjoy bringing games to life with a creative and quality sound. Thanks for the great article. While some DAWs are huge in size and code, their functionality is not that much more able than Reaper.
Reaper takes seconds to load, is designed with maximum functionality with reduced complex coding which in and of itself makes it very powerful. Logic Pro X and Ableton are also great platforms. Helpful community, thorough documentation. Great choice for people getting their feet wet, but seasoned users love it too. It has midi ports built in. Cubase, only midi at that time, I use since then. By I switch to Win98 PC.
A real MAC was out of the question for me in terms of price until now with Hackintoshes. Well, music software is pretty much evolved all those years, so it has my knowledge of Cubase, capabilities and its workflow, wich is the same or better than other music sequencing and scoring programs for MAC. I can say that most profesional software today follows the same rules and capabilities, but Cubase 5 to 9, not the ELEMENTS version has very good scoring editing besides audio and midi.
Same thing can apply to other software today for different applications including, video editing, gaming maybe better on PC or scientific purposes maybe Linux too. For dance, electronic or experimental music still Cubase is very very capable and used in many pro studios around the world, even more now that Yamaha partners with Steinberg.
In any case, everyone can see good videos comparing Cubase vs Logic vs Protools vs etc, but this is my own opinion in this matter. It may take me months to master another music software allthough I tried them once in a while, and read about improvements, not to mention I have lot of files in Atari ST and Windows PC cubase format.
Thank you. Nice article. It had amazing sound quality. Ableton is a favourite for most DJ Producers. It also works flawlessly with NI Maschine which can be used as a plugin. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Here you’ll find film scoring tips and tutorials, news about free VST instruments and the best sample libraries, and industry news. Want to partner with MFS? Or write for MFS? Get in touch today! All the best with your decision!
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Cubase 9 vs logic pro x free download –
THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION («YAMAHA»). BY DOWNLOADING OR INSTALLING THIS SOFTWARE OR OTHERWISE Logic Pro X最大の魅力はその安さ。ソフトウェア本体にあらゆる音源やプラグインが付属して円となっており、現在主流となっているPro ToolやCubase、Sonarと比較 含まれない