Logic pro x exs24 edit free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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So join Joe Albano as he reveals everything about Logics EXS24 from its front panel controls to the inner workings of its editor and soon youll be digging deep into the art of sampling in Logic Pro X. IObit Uninstaller. Internet Download Manager. Advanced SystemCare Free. WinRAR bit. VLC Media Player. MacX YouTube Downloader. Microsoft Office YTD Video Downloader. Adobe Photoshop CC.

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Logic pro x exs24 edit free

 

But first, we have a few administrative tasks to talk about:. OK, I know this is boring stuff. Every EXS24 sampler instrument is made up of two things: a. Hit us up in the comments below if you need a hand with anything like this. In most cases, EXS24 will open up with no sound loaded in the form of a basic sine wave-like sound. The sampler instrument editor opens up so we can tweak existing instruments, or in this case, create our own. Note: You can also drag and drop audio files directly from the Finder onto this window to create instruments.

Quick and easy, but not quite as organized and controlled of a set-up in my opinion, which is generally preferred when creating instruments for your personal library. A familiar looking Finder window will appear, allowing us to navigate to the samples audio clips on our computer or hard drive we would like to load up. The root note of the sample, followed by the incidental sharps and flats and then the octave represented by a number. A file named G 5, will be placed on the G key in the fifth octave on your keyboard, and so on.

The sampler editor window gives us a host of different options on how EXS24 treats each sample in our newly formed instrument. Along the top of the list you see a series of options including tuning, volume, pan, key range, pitched 1Shot, Reverse and more.

Many of which are self explanatory, for example, Reverse will indeed reverse the sample, playing it back to front when it gets triggered. The samples can still be located anywhere, but when saving a Sampler Instrument, a button in the Save dialog copies all used samples to the adjacent Samples folder, for consistent organization. Sampler does away with Plug-in Settings—you still save a custom Sampler preset from the Plug-In Setting menu in the plug-in header, but now it saves as a Sampler Instrument still with the extension.

This simplifies the organization, but does make Sampler unique among Logic plug-ins in not creating standard Plug-In Settings when saving from that menu.

By reducing the organizational tree from three possible items to two, Sampler should make it easier to keep track of standard sample file dependencies going forward. Of course the most obvious change from EXS to Sampler is the new graphic layout.

EXS spread its controls and settings among three windows—the main front panel controls, separate windows for mapping and group editing, and editing an audio sample itself required opening it in the separate audiofile editor panel. The Synth panel includes all the standard subtractive synthesis modules—pitch, filters there are two multimode filters now , and amp, along with an extra drop-down display of advanced programming parameters.

A redesigned Mod Matrix panel doubles the number of custom mod routings from 10 to 20 along with its cleaner interface. The Mapping pane also includes two additional panes, which preserve the older clunkier text-based Zone and Group editors—a few advanced controls may still only be available there, but these are no doubt included mainly to maintain backward compatibility with older EXS Instruments.

All in all, both mapping and key zone editing are now vastly more efficient processes, which should make die-hard instrument tweakers very happy. EXS put all controls related to each subtractive synthesis module—pitch, filter, amp—within the relevant module section, but Sampler goes a different way.

In Sampler, only the most commonly-used programming controls are included in the main display of the Synth panel—this makes for more streamlined access to the most frequent tweaks, but might leave EXS users wondering where the rest of the relevant parameters can be adjusted.

Those additional parameters are now found in a secondary drop-down display in the Synth panel, accessed from the Details button on the upper right. While this may not be as immediately obvious as in EXS, it does help keep the overall display from being too cluttered.

Finally, one of the most important new Sampler features is the automatic Import capability. This slick feature is not really a Sampler feature per se—Logic Now when I play the pattern, the notes for E3 and below will play the first sample, and the notes for F3 and above will play the 2nd sample. You can run the sample as a loop, and adjust the start and end time.

This is useful if you have a sample with a long tail of silence or reverb that you want to cut off. Or perhaps the vocal sample is a whole line, and you just want to pull out one word from it. First click the looping icon yellow button above with circular arrows as this will make it much easier to hear what you are editing.

Just click in the window and drag to select a start and end point. Then click the speaker icon next to the loop button to play the edited sample. Once you are happy with it. You can use the hand tool to grab the highlighted range and drag it left or right to fine tune it.

Now close that, and go to Instrument, Save As, and give your new instrument a name. Close the edit window, and you should see the new name listed in the instrument drop down list. Now every time you go into EXS24, your new instrument will be an option. If you are looking to feed your Logic Pro sampler, check out the EXS section at Loopmasters , they have a ginormous selection.

I hope that gave you a good overview of the sampler for Logic Pro X. Leave comments if you have EXS24 questions, or would like to see this tutorial expanded. Skip to content. Logic Pro X Tutorials. March 14, January 27, LogicFiends. EXS24 Filter Section.